Showing posts with label pre-war blues. Show all posts
Showing posts with label pre-war blues. Show all posts

Wednesday, March 7, 2012

New Arrivals: More Mississippi Records


Henry Thomas, Bull Dog Blues
LP

"Twelve of our favorite songs by amazing Texas blues songster Henry Thomas. Thomas recorded a couple dozen sides between 1927-29 often accompanying himself on the quills, a pan flute sounding instrument. A traveling musician with an older style than many of the country blues musicians recorded in the 20s. Includes his classic numbers "Fishing Blues", "Railroadin Some", "Honey, Won't You Allow Me One More Chance" the beautiful gospel number "Jonah in the Wilderness" and many more."




Fred McDowell, The Alan Lomax Recordings
LP

"The first ever recordings of Fred McDowell! Recorded by Alan Lomax in 1959. The first vinyl release dedicated entirely to this phenomenal recording session. 12 songs that highlight the depth of his repetoire - from droning & hypnotic versions of songs that later became blues standards such as "Shake Em On Down" & "Good Morning Little Schoolgirl" to his deeply felt renditions of spirituals like "Keep Your Lamp Trimmed & Burning" . Accompanied at times by some amazing hair comb playing & beautiful backup vocals. Comes in an old school "tip on" sleeve with liner notes by Nathan Salsburg. A co-release with our friends Domino Sound. The stuff of dreams."





Music From Saharan Cell Phones
LP

"A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers.The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg Autotune, Ivorian Club Jams, Mauritanian Synth, and Malian Hip Hop electro. Collected from memory cards by and released on cassette, the vinyl comes after a years plus of tracking down the composers."




Lewlewdal de Podor, Yiilo Jaam
LP

"Hailing from northern Senegal, "Lewlewal de Podor" is a Pulaar guitar centric band that draws from the folk stylings of Fouta Toro. Featured on last year's compilation Ishilan n-Tenere, their first ever full length ranges from mellow acoustic jam sessions to electrified hip shaking concerts. Recorded by Christopher Kirkley. Comes with booklet and portrait studio photo. Co-release with Sahel Sounds"




These LPs, and many more, can be purchased from:

Brickbat Books
709 South Fourth Street
Philadelphia, PA 19147

215 592 1207

Open:
Tuesday: thru Saturday, 11am to 7pm
Sunday: 11am to 6pm
Closed Monday

Sunday, February 19, 2012

Featured: Four Tales For Hard Times


Sister of the Road: the Autobiography of Boxcar Bertha
Paperback

Another raging slab of real American history you're not likely to find in the textbooks. It's a window into a wildly under-appreciated dropout culture that gets left out of the stultifying fairytales that pass for history books—a much more rowdy and messily interesting tradition than the guardians of propriety, steeped in those other great American traditions of Puritanism and hypocrisy, let on.
Hobo jungles, bughouses, whorehouses, Chicago's Main Stem, IWW meeting halls, skid rows, and open freight cars—these were the haunts of the free thinking and free loving Bertha Thompson. This vivid autobiography recounts one hell of a rugged woman's hard-living depression-era saga of misadventures with pimps, hopheads, murderers, yeggs, wobblies, and anarchists.




The Devil's Son-In-Law: The Story Of Peetie Wheatstraw & His Songs
Paperback

"Blues-singer, songwriter, piano and guitar player, William Bunch (1902–1941) was well-known as Peetie Wheatstraw, the Devil's Son-in-Law and the High Sheriff from Hell. Long recognized by connoisseurs as one of the most influential blues people of all time, his life and work are little known to the broad public. Blues scholar Paul Garon's important and abundantly illustrated study—drawing on his own extensive interviews with Wheatstraw's relatives, and fellow musicians—brings the exciting Wheatstraw saga to life at last. With insight and imagination, Garon explores Peetie Wheatstraw's crucial role not only in blues history, but also in African American urban mythology, and—via a penetrating analysis of song lyrics—his appreciable contributions to blues poetry and to vernacular surrealism. Originally published in the UK in 1971, this substantially revised and expanded edition includes a mass of new information and images, as well as an updated bibliography, discography, and index. Also includes a 24-track CD portraying Peetie at his best, with a bonus track by Harmon Ray, the previously unreleased "Xmas Blues."




Malcolm Braly, On The Yard
Paperback

"A major American novel, and arguably the finest work of literature ever to emerge from a US prison, On the Yard is a book of penetrating psychological realism in which Malcolm Braly paints an unforgettable picture of the complex and frightening world of the penitentiary. At its center are the violently intertwined stories of Chilly Willy, in trouble with the law from his earliest years and now the head of the prison’s flourishing black market in drugs and sex, and of Paul, wracked with guilt for the murder of his wife and desperate for some kind of redemption. At once brutal and tender, clear-eyed and rueful, On the Yard presents the penitentiary not as an exotic location, an exception to everyday reality, but as an ordinary place, one every reader will recognize, American to the core."

"Surely the great American prison novel" — Kurt Vonnegut, Jr.





Jack Black, You Can't Win
Paperback

"A legendary book, bestseller in 1926, and hovering at the edge of our memory since; the favorite book of William Burroughs. A journey into the hobo underworld, freight hopping around the still Wild West, becoming a highwayman and member of the yegg (criminal) brotherhood, getting hooked on opium, doing stints in jail, or escaping, often with the assistance of crooked cops or judges. Our lost history revived. Includes a new afterword by Bruno Ruhland, who tells what became of Jack after the book was written (he gave up the outlaw life and moved to San Francisco), and an essay by Jack Black called "What's Wrong with the Right People," which was originally published in Harper's. With an introduction by William Burroughs."




These books, and thousands of others, can be purchased from:

Brickbat Books
709 South Fourth Street
Philadelphia, PA 19147

215 592 1207

Open:
Tuesday: thru Saturday, 11am to 7pm
Sunday: 11am to 6pm
Closed Monday

Wednesday, February 1, 2012

Featured: Four from Yazoo


Kokomo Arnold and Casey Bill Weldon, Bottleneck Guitar Trendsetters Of The 1930's
LP

180 gram exact repro reissue of this Yazoo's collection of these two blues guitarists, originally released in 1975. "Kokomo Arnold and Casey Bill Weldon were two of the most popular and original-sounding bottleneck guitarists of the Thirties, a generally dismal period for blues recording. In terms of contemporary appeal (the only yardstick that mattered to blues men themselves) they far outstripped Robert Johnson, Bukka White, and other bottleneck artists of the era.... Arnold, a left-handed guitarist, confronts the listener as one of the zaniest, most manic guitarists ever recorded; Weldon's work is an outright rejection of traditional blues harmony, and invites comparison to Western swing."





The Hokum Boys, You Can't Get Enough Of That Stuff
LP

180 gram vinyl. Features cover art by Robert Crumb. A collection of recordings from a number of "Hokum" groups, mostly from the 1920s. "...the Hokum Boys were less an actual group and more of a term that race labels could use to market ensemble recordings of material with salacious lyrics that were filled with sexual double entendre and references to vice." --Record-Fiend





Blind Willie McTell, The Early Years 1927-1933
LP

180 gram exact repro reissue of Yazoo's 1968 compilation of rare 78 rpm recordings from Blind Willie McTell. A record that put Yazoo on the map as an essential archival label of roots music. The very best of the magnificent Willie Samuel McTell -- aka Blind Willie aka Hot Shot Willie aka Georgia Bill -- exploring spiritual, ragtime, hillbilly, and above all, the blues.




Please Warm My Weiner (Old Time Hokum Blues)
LP

180 gram reissue of Yazoo's scholarly 1974 collection of "bawdy and vaudeville-inspired" songs from the '20s and '30s. Classic Robert Crumb cover art. Artists: Whistling Bob Howe & Frankie Griggs, Tommie Bradley & James Cole, Buddie Burton, Georgia Tom & Tampa Red, Rufus & Ben Quillian, Hokum Boys, Papa Charlie Jackson, Butterbeans & Susie, Robert & Charlie Hicks, Yazoo All Stars, Memphis Minnie, Leola B. Wilson & Kid Wesley Wilson and Bo Carter.




These LPs and many more can be purchased from:

Brickbat Books
709 South Fourth Street
Philadelphia, PA 19147

215 592 1207

Open:
Tuesday: thru Saturday, 11am to 7pm
Sunday: 11am to 6pm
Closed Monday

Sunday, January 29, 2012

Featured: Pre-War Blues, etc.


Sleepy John Estes, I Ain't Gonna Be Worried No More
Double LP

"A retrospective of 24 songs recorded between 1929-1937 in Memphis, Chicago and NYC, when Tennessee native, Sleepy John Estes was at the height of his abilities. Despite the fact that Estes wasn't the fastest or most technical blues guitarists out there, his distinct and emotional vocals, and uniquely relaxed style more than compensates for this, making him one of the genre's true geniuses. Estes, in fact, perhaps because he wasn't a guitar virtuoso, usually preferred to play in a group setting, and on these recordings he is often accompanied by great players like 'Yank' Rachell on mandolin or Hammie Nixon on harmonica. He is also frequently accompanied by piano and sometimes second guitar. Estes is also well known for his lyrics which talked about places and people he knew. I Ain't Gonna Be Worried No More contains all of his best songs, including blues favorites like 'The Girl I Love, She Got Long Curly Hair' (covered by Led Zeppelin), 'Drop Down Mama', 'Milk Cow Blues' (covered by The Kinks), and 'Someday Baby Blues' (covered by Muddy Waters, Bob Dylan)."





Frank Stokes, Downtown Blues
LP

"African American singer and guitar player who got his start playing on the streets of Memphis around the turn of the century. His enormous repertoire of early folk, blues, old time country and popular music, along with his influence on local musicians has made many point to him as the true father of Memphis blues. He began touring the South with a black face Medicine Show comedian in the 1910s where it is said he met and influenced Jimmie Rodgers, among others. He then moved to Tennessee where he began playing with musician Dan Sane with whom he made his first recordings as the 'Beale Street Sheiks' for Paramount in 1927. Throughout this period Stokes recorded a number of sides for Paramount and Victor until his old time style began to lose popularity with the record buying public."





Skip James, Jesus Is A Mighty Good Leader
LP

"Born in Bentonia, Mississippi in 1902, Skip James began recording for Paramount in Grafton, WI, in the 1930s after showcasing his unmistakable talent in a series of auditions in Jackson, Mississippi. Particularly interesting was his three finger picking technique, his high pitched voice and the rural blues tales that he put in music for a sub genre of blues that was later called the 'Bentonia school.' This LP includes some of his rarest early tunes from those lost 78 RPMs from the Grafton period."





Charlie Poole, Husband And Wife Were Angry One Night
LP

"Born in North Carolina in 1892, singer and banjo player Charlie Poole is often considered to be one of the grandfathers of bluegrass and modern country music. Poole recorded 60 songs during the 1920s for Columbia Records with his wildly popular North Carolina Ramblers, so this LP is a small sampling of some of his very best songs, many of which, like his first big hit for Columbia, 'Don't Let Your Deal Go Down Blues,' are blues standards. Although Poole died of an alcohol-induced heart failure at just 39 years old, he still had plenty of time to influence bluegrass greats like Bill Monroe, and more indirectly, Hank Williams and the folk singers of the 1960s. Although Poole wrote none of his own material, his genius lay in his unique ability to rework a song, by changing lyrics and tempo, to make it something entirely new. In fact, many fans bought his records just to see 'how Charlie did it.' His North Carolina Ramblers sold huge numbers of records for the time and Poole became one of the first country music stars."





Dock Boggs,When My Worldly Trials Are Over
LP

"Pioneering singer / banjo player Dock Boggs (b. 1898) got his start playing (while working) in the coal mines all over the poverty-stricken Appalachian region. His earliest recordings, a blend Appalachian old-time music and early blues, come from 1927-1929. During this time Boggs was fairly popular and able to make a living with his music, much to the dismay of his wife who, like many others at the time, considered secular music a sin. By 1930, however, the Great Depression had forced Boggs to pawn his banjo and go back to selling moonshine and working in the coal mines. This would have been the end of Boggs' career had he thankfully not been rediscovered by folk revivalist Mike Seeger in the 1960s and subsequently recorded some great records for Smithsonian Folkways. This record is comprised of some extremely rare alternate takes (recorded between 1927-1929) of some of his greatest songs."





Charley Patton, Electrically Recorded: Jesus Is A Dying-Bed Maker
LP

"12 tunes from Patton's 1929 recording sessions. Here the acknowledged 'King of the Delta blues' performs some of his finest spiritual blues, like the title track, and 'You're Gonna Need Somebody When You Die.' All tracks recorded in Grafton, WI, October 1929."
"Charley (a.k.a. Charlie) Patton was the most powerful blues recording artist of all time, considered by many to be the single most important figure in the history of traditional blues. He was a profound shaper and a giant figure in early Mississippi Delta music. The combined power of his vocal and guitar dynamics is unparalleled and he was the Delta's first blues celebrity."





These LPs and many more can be purchased from:

Brickbat Books
709 South Fourth Street
Philadelphia, PA 19147

215 592 1207

Open:
Tuesday: thru Saturday, 11am to 7pm
Sunday: 11am to 6pm
Closed Monday